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Original WEEGEE Photo, Dr. Strangelove, Stanley Kubrick, on movie set, 1964 For Sale


Original WEEGEE Photo, Dr. Strangelove, Stanley Kubrick, on movie set, 1964
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Original WEEGEE Photo, Dr. Strangelove, Stanley Kubrick, on movie set, 1964:
$288.01

From Wikipedia:

Weegeewas thepseudonymofArthur (Usher) Fellig(June 12, 1899 – December 26, 1968), aphotographerandphotojournalist, known for his stark black and whitestreet photography. Weegee worked inManhattan,New York City\'sLower East Sideas a press photographer during the 1930s and 1940s, and he developed his signature style by following the city\'s emergency services and documenting their activity.[1]Much of his work depicted unflinchingly realistic scenes of urban life, crime, injury and death. Weegee published photographic books and also worked in cinema, initially making his own short films and later collaborating with film directors such asJack DonohueandStanley Kubrick.

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, more commonly known asDr. Strangelove, is a 1964political satireblack comedyfilm that satirizes theCold Warfears of a nuclear conflict between the USSR and the USA. The film was directed, produced, and co-written byStanley Kubrick, starsPeter SellersandGeorge C. Scott, and featuresSterling Hayden,Keenan Wynn, andSlim Pickens. Production took place in the United Kingdom. The film is loosely based onPeter George\'sthrillernovelRed Alert.

The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted inLolitathrough the character \"Dr. Zaempf\".[19]Strangelove\'s accent was influenced by that of Austrian-American photographerWeegee, who worked for Kubrick as a special photographic effects consultant.

It was originally planned for the film to end with a scene that was filmed, with everyone in the war room involved in apie fight.

Accounts vary as to why the pie fight was cut. In a 1969 interview, Kubrick said, \"I decided it wasfarceand not consistent with the satiric tone of the rest of the film.\"[36]CriticAlexander Walkerobserved that \"the cream pies were flying around so thickly that people lost definition, and you couldn\'t really say whom you were looking at.\"[12]Nile Southern, son of screenwriter Terry Southern, suggested the fight was intended to be less jovial: \"Since they were laughing, it was unusable, because instead of having that totally black, which would have been amazing, like, this blizzard, which in a sense is metaphorical for all of the missiles that are coming, as well, you just have these guys having a good old time. So, as Kubrick later said, \'it was a disaster class=\"MsoNormal\" 12 inches


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